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天津第五届“福彩圆梦 点亮希望”爱心助学公益活动圆满落幕_我的网站

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一 |     8月6日下午,由天津市民政局、共青团天津市委员会、天津海河传媒中心联合主办的第五届“福彩圆梦 点亮希望” 爱心助学公益活动在津云演播厅温情举办并顺利收官。    Filmmaker Anil Sharma's association with Dharmendra and the Deol family goes back a long way. He had directed the late actor in Hukumat (1987), which went on to be one of the biggest blockbusters of the filmmaker's career. Together, they delivered more hits such as Elaan-E-Jung (1989), Farishtay (1991) and Apne (2007). Filmfare caught up with Sharma, who opened his heart about this bond with Dharmendra.Excerpts:     What kind of an impact did Dharamji have on your life and career?     My entire career exists because of him. The first star I ever saw on the big screen was Dharmendra. When I became an assistant director, I worked with him on The Burning Train (1980). And the biggest blockbuster of my life, my first blockbuster Hukumat was also with him. We also did Elaan-E-Jung, Farishtay (1991) and Tahalka (1992), and all four were hits.          I worked with his son Sunny Deol on Gadar: Ek Prem Katha (2001). I produced Policewala Gunda (1995) and directed Ab Tumhare Hawale Watan Saathiyo (2004) with Bobby Deol. My film Apne had all the three Deols in it. Then there were The Hero: Love Story of a Spy (2003) and Singh Saab The Great (2013). My whole life has been spent working with the Deols and most with Dharamji. I consider myself fortunate to have worked with this family and Dharmendra. He was a legend, an era by himself . People love him so much because he too loved them in equal measure.     Go on...     Dharmendra was a young man from Sahnewal... He would stand before the Frontier Mail train and say, 'Frontier, please take me to Bombay.' And truly, Dharmendra became the film industry. He would have 6–7 releases in a single year, and all of them were hits… Today, if an actor gives even three hits in a year, he’ll run around with a sword, ready to conquer the entire country.     Dharmendra ji delivered massive blockbusters that no hero today has ever seen on that scale. It was not just action films that worked. He did films like Anupama, Chupke Chupke, Naya Zamana, Mera Gaon Mera Desh, Pratigya, Yaadon Ki Baarat, Hukumat. He had such a range! All these were hit films. And he was so handsome… It felt like God crafted him with his own hands, and then broke the mould forever. He was what you truly call, 'a Greek God'. Today we loosely call many heroes 'Greek God' but the real Greek God was Dharmendra.          It is said that he never increased his fee even after delivering blockbusters...He had multiple hits releasing at the same time. When he watched Hukumat, he liked it a lot. His payment terms used to be that some money was given during production and the rest upon release. So, he told me, 'Anil, you've made such a wonderful film, I'm waving off my entire balance fee.' He would waive off his remaining payment if you made a good film. He had no attachment to money; his attachment was only to good cinema.     How was your last meeting with him?     It was a couple of months ago. He asked me about the films I was working on. He then said that he wants to do such a film that the world will watch in awe and asked me to find a role for him. He said, "Camera meri mehbooba hai, aur mujhe miss kar rahi hai..." (Camera is my beloved, and she is missing me) I'm missing her too and I have to go back to her. He actually had a film ready to release and in the last couple of years, he had done films, and he had such passion even at the age of 89. He would tell me, "Just watch, I’ll do such good work that the world will watch… you’ll see what I’ll do. You’ll see." It felt like he was the same little boy from Sahnewal.                                                                 View this post on Instagram          A post shared by Anil Sharma (@anilsharma_dir)               How was Dharmendra as a person when the cameras stopped rolling?      Dharamji never realised how big his stardom and influence was. We would tell him that you are such a big star and he would say, "I am nothing...I am just a farmer, a man of the soil." In fact, the entire Deol family is like that. They genuinely believe they are still new and have a lot more to achieve. Dharam ji once said that he worked only for the people and their love. He came to be a part of the film industry, and he didn’t just become a part of it, he became the film industry itself.     Tell us about Sher, Dharmendra's shelved James Bond style spy thriller...     Sher goes back to 1988. I wanted to make a James Bond–style film. Recently the poster suddenly resurfaced, and everyone was shocked seeing Dharmendra with such a fantastic, powerful physique. I was a big fan of Bond films, because what does a Bond film need? Personality, handsomeness, wit, romance in the eyes, action prowess, intelligence, and Dharam ji had every single one of those qualities. But somehow, the film couldn’t get made. Hukumat hadn’t released yet at that time and I had signed Sher during Hukumat itself. The producer ran into some issues. If the film had been made, it would have been something remarkable in Dharamji’s career. I still have the script with me. Even now, people tell me to make it with Sunny Deol. I haven’t thought about it yet, but yes, I’ll see, and maybe I will think about it again.     What do you want people to remember most about Dharmendra and his legacy?     He was a genuinely good human being who knew how to love. I used to ask him what defines a good actor and he always said that a good actor is first a good person. If today’s actors understand just this one thing, they’ll automatically become better actors. If you’re a good person, you can play a bad man, you can play a worthless man, you can play an average man. His goodness, and the way he showered love on people, these two qualities were truly special about him. And that is exactly how he will always be remembered. He is a legend and legends never die, they remain immortal.     Also Read: Exclusive: When Esha Deol Called Dharmendra and Hema Malini Excellent Babysitters。活动现场,天津市福利彩票发行中心捐赠10万元助学金,定向帮扶全市20名家境困难、勤学上进的准大学生,每人发放5000元助学资金,为他们奔赴大学尽一份托举之力。

二 | 天津市福利彩票发行中心、天津市希望工程实施办公室、天津市青少年发展基金会、天津交通广播等多家单位共同到场见证本次捐赠仪式。截至今年,“福彩圆梦 点亮希望”爱心助学公益活动资助学生已累计百人,首届受助学子已经本科毕业。现场邀请到的往届受助学生代表向本届受助学生送上祝福和鼓励,共同登台分享心声,并赠送象征精神共勉与爱心传承的吉祥物。受助学子们纷纷表达,将依靠知识改变自身命运,未来回馈社会、传递善意。各方代表共同献上才艺表演,由衷感谢福彩与社会各界的暖心帮扶。

三 |  在捐赠仪式结束后,“福彩圆梦 悦见星辰”爱心读书会温情启幕。往届学长以亲身经历,分享从埋头题海到瞭望世界的成长蜕变,诉说青年褪去青涩,奔赴更广阔的天地的历程;本届受助新生则用质朴的求学故事,许下“被光照亮、亦愿发光”的青春誓言。五周年的特别节点,让这场分享成为公益善意的时光回响,公益之光的接力与延续在字句间悄然流淌,感染着现场每一个人。随后的专属赠书环节,天津福彩为学子们送上《世界观》与《月亮与六便士》两本经典之作——一本科普佳作拓阔科学视野,仰望浩瀚星空;一部文学名著守护初心理想,直面生活本真,寄寓着对学子脚踏实地、心向远方的深切期许。此外,充满东方韵味的中药手串DIY体验,让学子们亲手穿珠成串,在沉浸式手工中留存指尖的温度。

四 | 腕间香韵袅袅,恰如“赠人玫瑰,手留余香”的善意隐喻,温润而悠长。

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Published on:16:28:15


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